Hear It Coming (2025/26) – Soundperformance

Andreas Eduardo Frank – Composition / Synthesizer, Marcus Weiss – Saxophone, Uli Fussenegger – Double Bass, Sarah Maria Sun – Voice, Jeanne Larrouturou – Percussion

Sound Diffusion and Live Electronics, SWR Experimentalstudio – Maurice Oeser, Sound Direction

Scenography & Light Design – Thomas Giger

Wie geht’s, wie steht’s (2024) – Musiktheater / Oper / Happening – Performer:innen, Opernsänger:innen, Chor, Ensemble, Punk-Band (200′)
– UA Münchner Biennale / Theater Basel 

PLATZEN PLATZEN PLATZEN (2023) – Musiktheater für 8 Musiker:innen – Ensemble Proton Bern (70′) – UA Dampfzentrale Bern / Gare du Nord Basel

HYPHEMIND (2022) – Musiktheater für 6 Sänger:innen/Performer:innen & Percussion (90′) – UA ECLAT Festival Stuttgart

Precious Moon (2022) – collaboration with Pony Says & Isaac (60′) – UA Musik 21 Festival Hannover

Super Safe Society (2021) – Musiktheater für 6 Sänger:innen (60′) – UA

Theaterhaus Stuttgart

The Ends (2021) – Kurzoper für 4 Sänger:innen, Streichorchester, Bassklarinette, Keyboard und Drumpad (35′) – UA Oper Köln

How to reboot the universe (2020) – Musiktheater/Performance für 5 Musiker:innen & Figurentheater (60′) – UA Ensemblehaus Freiburg w. Ensemble Recherche

Bassgott 3000 (2018) – Performance für Stimmen und fahrbare Subwoofer Skulpturen (30′) – Oper Köln

Das Floß (2018) – Oper in Zusammenarbeit mit Alexander Chernyskov und Anastasija Kadisa (120′) – UA Staatsoper Hamburg

Once I saw someone floating (2023) – 2Percussion, Synth, Lights (Trailer)

m0nster #2 (2023) – Fl, Bcl, Keys, Vl, Va, Vc, Cond 

DAMPF (2022) – Flute, Sax, Keys, Drums

m0nster #1 (2022) – Fl, Bcl, Vl, Vc (Trailer)

Zündholzraspeln (2021) – String Quartet

yes yes, no, yes, no no no (2021) – Sax, Akk, Vl, Drums (Trailer)

hot wired (2020) – Electric Guitar Duo

intruder integer (2019) – String Quartet & Synth (Trailer)

el separador (2019) – Saxophon Quartet, Robot, Objects

noise is a common sound – II (2018) – Fl, Ob, Cl, BarSax, Vl, Va, Vc, Keys & Drums, Cond.

noise is a common sound – I (2018)

how to pronounce alpha (2017) – Large Ensemble

restore factory defaults (2017) – Voice, Electronics & Video (Trailer)

Samouraï Progressif (2017) – Fl, Ob, KbCl, CBsn, Hrp, Pno, Vl, Vc (Trailer)

read my lips (2017) – Picc, Trb, Pno, Vla, Vc 

Table Talk (2016) – 2 Performers, Electronics, Video

sharp switch soft – II (2016) – BsFl, BCl, Pno, Vc // KbFl, KbCl, Pno, Vc

sharp switch soft – I (2015) – Vl, Sax, Pno

Waveshaping (2015) – Percussion Quartet & Electronics

between me & myself – IV (2016) – Vl, Trb, Perc, Video & Electronics

between me & myself – III (2016) – Trb, Perc, Video & Electronics

noise is a common sound – III (2026) – Drums & Electronics

state of mind (2024) – Yamaha DX7 (Trailer) 

THORN (2022) – Percussion, Video, Electronics (Trailer)

PUNCH (2022) – Piano, Optional Video, Electronics

restore factory defaults (2017) – Voice: Anne-May Krüger, Video, Electronics (Trailer)

between me & myself – V (2016) – Sax, Video, Electronics (Trailer)

sawdust (2016) – Violin, Electronics

between me & myself – II (2015) – Perc, Video & Electronics (Trailer)

between me & myself – I (2015) – Trombone, Video & Electronics (Trailer)

melting slowly – but surely (2024) collaboration with Sylwia Zytynska, Jan Hoeft, Tatiana Timonina, Aya Metwalli – (50′)

Blind Husbands (2021) – Musik für Stummfilm mit Ensemble Recherche / ARTE – (100′)

Trailer I // Trailer II // Trailer III

180° Labor (2022) Kollaboration / Performance mit Tanz & Szenografie (45′)

Okay (2022) – installation, collaboration with Jan Hoeft

Documentation

The BubbleGum Experience (2020) – Side specific Performance